30 August 2008

Toronto International Film Festival


The Toronto International Film Festival starts September 4th - I’ll be there for the final weekend doing my best to figure out which films were well received and who our bright new film stars are. Actors, directors, screenwriters and such. If you have a recommendation or find yourself on the TIFF website don’t hesitate to comment, I’m more than willing to see or sleuth any film you might want to know more about.

Yes, the Coen Brothers’ Burn After Reading is screening, but that movie will be in theaters in about ten minutes. I'll just take a picture of Clooney instead.


Tiff Website

26 August 2008

Vicky Cristina Barcelona


The title hints at a threesome between two girls and a country, but Woody Allen had a different idea. Using his muse Scarlett Johansen, Penelope Cruise and a simplistically romantic Javier Bardem, Allen gives us yet another version of his youthful frustration fables. An engaged Vicky (a delightful yet flat Rebecca Hall) and a newly single Christina (Johansson) travel to Barcelona for the summer only to find themselves subduly charmed by Juan Antonio, a painter who’s passion crazed wife tried to kill him. Or he tried to kill her, but it doesn’t really matter. Penelope Cruz plays the role of ex-wife Maria Elena with a confidence that outshines anyone in the film and makes Hall and Johansen seem like they’re playing house – which may have been what Allen intended all along. He likes his women young and confused. Bardem is underused and serves as an idea as opposed to a character but in giving us his wife, a headstrong know-it-all, Allen manages to make his bourgeoisie American ladies seem as humorously frustrating and cliché as ever. The movie is funny if you’re not afraid to laugh when the rest of the theater is quiet. With a stereotypical travelers guide to Gaudi and a mildly annoying narrator, Vicky Cristina Barcelona is watchable but nothing new.

Vicky Cristina Barcelona Trailer

17 August 2008

Wanted


Someone told me that Wanted made them want to have sex. Just in general, not with anyone in particular. It made me want to by a gun and use that gun in a kickboxing class. It was better than the Indian Jones debacle and just as satisfying as Iron Man - maybe not critically (whatever that means), but in terms of how much enjoyment I got out of it or how connected to the film I was. Crazy fun and totally self aware, Wanted was a blockbuster with some pizazz accompanied by a one-two punch. For every effective and awesome scene there is an equally flabbergasting retarded one (you know, the whole good versus evil thing) but in the end it’s completely watchable and a pretty good ride. By pretty good, I mean see it in the theater.

As a warning, when I say bad, I mean it. Really bad. Not bad like that was a weak moment but wow, whoever wrote that scene really loved Smokin’ Aces. About three quarters through the film I envisioned men in a board room going, “And then let’s put them on top of a building, for the scenery and such. And then, better yet, lets have it be in the middle of an earthquake, because being an assassin alone isn’t quite dangerous enough. This will give them a chance to be calm in the face of shaky circumstances. And then, no this is perfect, we can have the building turn into a robot that moves about the city while they fight it out. Yea. That’s perfect”. My thoughts exactly.

None of that happens in the movie, but it could have. My theory is as such: If you like action, action that doesn’t take itself seriously, think Hot Fuzz or Hellboy, you’ll really get into this film. Now, this kind of lonely man of honor flick is not be confused with a Nicolas Cage explosion of hilarity, you laugh with Wanted, not at it. There is a Karate Kid feeling to it for the first half – a good old fashioned wimp to ass-kicker story that also involves a fly. And it pokes fun at complacency, Office Space owns this market, but it works and gives the audience and James McAvoy and nice boost .

Wanted
is good for:
  • Cheap Dates! It’s second run now (I paid three dollars to see it but would have paid ten). Make sure your lady or man likes action though. Otherwise rent The Notebook.
  • Dudes. I don’t know when dudes go out with other dudes to see movies but this would work for that.
  • Movie geeks. It teeters on the edge, but it’s just smart enough to be art house trash. You know, Cronenberg style.

02 August 2008

An Old Mistress














The American title of Catherine Breillat's
new film is The Last Mistress but it's direct and appropriately inferred title is An Old Mistress. I agree with most of Manohla Dargis' views, this film was her pick of the week lasting twice that title, but what Dargis doesn't admit to is one audience requirement: must like period piece.


This move is near perfect - simple yet developed story, superb acting, tightly edited and compiled and finally, as my patience is wearing thin on three hour epics, a clean 110 minutes. There is plenty of full nudity and sexual encounters (
Last Mistress received an NR rating) but, sorry gentlemen, it's far from gratuitous. Mistress is a period piece and no amount of flesh can change this. And ladies, when approaching this film keep in mind that it's French. With a French story. It's more Dangerous Liasons and Madame Bovary than Jane Austin and her feminist love stories. If you enjoy a good period piece, The Last Mistress is incredibly depressive, more about the foils of monogomy that a spirited lover. Watch when in a good mood and in the company of others.


Asia Argento is outstanding, her ability to change moods in a single shot just by slightly moving her mouth and changing her gaze is unparalleled since the likes of Julietta Masina. We owe more to her than to her character Vellini and the same goes for her lover Ryno ( Fu'ad Ait Aattou)
. It's always nice to see classics acted out by the gorgeous considering, deep down, we know that it is far from fact.

Manohla Dargis NY Times Review
The Last Mistress Trailer