09 February 2009

The Wrestler


I completely understand why Mickey Rourke won a Golden Globe, a BAFTA, and possibly an Academy Award for his performance in The Wrestler, the newest film from Darren Aronofsky (Requiem For a Dream, The Fountain). It’s also the first movie I’ve seen in a while that actually felt ‘independent’. (Although there’s really no such thing anymore.) Marisa Tomei bares all in this one. Her performance is very subdued, but just as realistic and moving as Mr. Rourke's, and although Evan Rachel Wood tries her best, it was this relationship that moved the least. With all this emotion flying around, I’m curious whether or not our feelings for Randy ‘The Ram’ Robinson come from the film or Mickey Rourke, who we also know to be a washed up and tired old man. This is a case of perfect casting and amazing talent, but it is also a case of mistaken identity. Are we watching a story about an actor or a wrestler? A little of both, I guess, because what makes Mr. Rourke’s performance so amazing is it’s degreeing levels of honesty. He bares his very soul to us in some terribly awkward scenes (exercise, tanning, bleaching) almost as if this whole movie were some sort of personal penance of his. I don’t know if he deserves to go to heaven, but I’m more than satisfied with an award or two.

The Wrestler Trailer

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